Rating: 1.5/5 Stars (One and half stars)

Director: Vibhu Puri

Star Cast: Ayushmann Khurrana, Pallavi Sharda, Mithun Chakraborty, Naman Jain

What’s Good: Thanks to this film, there will be ample of people spamming Google to learn about the unsung hero Shivkar Bapuji Talpade and his aviation discovery. Also the design team of the film will have to be credited for their work since re-creating the 1800s had to be a task.

Loo break: Take a long one!

Watch or Not?: Well, I certainly do not wish to recommend this film and especially keep the children away since we do not wish to parch their judgement and feed those impressionable minds with historic stories that are not clear. I cannot narrow down the category of people who will like this film, but they definitely do not come in the history or vintage lovers category.

What’s Bad: Well, for starters the entire plot which clearly seemed to have lost its focus from being Hawaizaada to becoming ‘Ishaqzaada’. Having said that, out of the 153 minute long movie, it will be difficult to subtract the amount of time wasted on songs which keep popping up every now and then.

Shivkar Govind Talpade (Ayushmann Khurrana) is an eight-times fourth standard disappointment who is frequently put down by his senior sibling and looked down upon by his dad. In the preindependence period of 1895, while the country is clasped, Shivkar is a visionary and of a free personality who thinks India's greatest fight is first with its social marks of disgrace and after that the British. 

Nourished up by his disappointments, when Shivkar otherwise called Shivi experiences passionate feelings for a move entertainer Sitara (Pallavi Sharda), infuriated by his decision to settle with a lady who originates from the lower cast, Shivi is repudiated by his guardians. 

Despite the fact that his life is going to take a flying begin as he meets the unconventional researcher Shastri (Mithoon Chakraborty) who is on the voyage to construct India's first plane. As Shivi turns into an aide to Shastri, he excessively begins imagining about the same and inevitably turns into the first Indian to have made an unmanned plane.

Hawaizaada Review: Script Analysis 

Bollywood over and over demonstrates that it is still not fit for taking care of biopics other than the special case that Bhaag Milkha Bhaag was. This time managing a verifiable figure like Talpade who truly required a decent piece of spotlight, the authors derail the whole plot as they weave an adoration story as the fundamental casing while the key components take a secondary lounge. It is a disgrace that while Hawaizaada was being advanced as the 'unsung saint story', it really is an affection story and not a decent one at that. 

In the wake of being very baffled by the plot itself, what comes further are smaller than normal jolts that you continue getting as troublesome pushed melodies come up. This makes you hit the rest catch sometimes. On the off chance that this was any less, truly excessively the film vacillates. In a story that is situated in the period generally 1800s, we see the performer displaying outfits and sitting at Cafes with the male lead (Not exactly clear where that happened in British India). 

In fact, if this was a Hollywood film, it would have been focused around quantum material science which prompt the plane disclosure and not 'how to propose a young lady' aide like Hawaizaada. It is a feeble plot which missed all the key fixings which it frantically required.